Evita Soundtrack       *Special offer: $15.00 off all ticket purchases! Limited time only! * Wicked Tickets more theater tickets NFL Ticket more sports tickets Rolling Stoness Tickets more concert tickets Artist Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9 Album Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9

Evita Soundtrack Lyrics Track List 26 July 1952 Hello And Goodbye The Actress Hasn't Learned The Lines You'd Like To Hear Buenos Aires Rainbow High A New Argentina Lament Waltz For Eva And Che Your Little Body's Slowly Breaking Down Don't Cry For Me Argentina I'd Be Surprisingly Good For You Eva's Final Broadcast Partido Feminista You Must Love Me Another Suitcase In Another Hall Goodnight And Thank You On The Balcony Of The Casa Rosada 1 On The Balcony Of The Casa Rosada 2 She Is A Diamond On This Night Of A Thousand Stars And The Money Kept Rolling In And Out Rainbow Tour The Lady's Got Potential High Flying, Adored Oh What A Circus Peron's Latest Flame Latin Chant Santa Evita Requiem For Evita Discounted Concert Tickets for A Cinema In Buenos Aires * Now get extra $15.00 discount! Limited time only! * Album Review Evita was finally filmed in 1996, 20 years after its initial incarnation as a studio-bound rock opera. In between, of course, it was one of the most successful and long-running musicals on either side of the Atlantic. Given such a long history, the film might easily have been a stale anticlimax, fatally holed by our overfamiliarity with songs such as the ubiquitous "Don't Cry for Me, Argentina." On the contrary, it was an impressive and immensely satisfying production. The numbers, augmented by a new song for Eva ("You Must Love Me"), sound fresh and the singing is excellent. Coming from Jonathan Pryce (Peron) and Jimmy Nail (Magaldi), this is hardly a surprise. The real revelation is Antonio Banderas as Che, a kind of one-man Greek chorus commenting on Eva's rise and the price she must pay. His warm tenor dispels memories of previous, rougher interpretations from such singers as David Essex and Colm Wilkinson. Ultimately, though, the star is Madonna. She is totally immersed in the role of Eva from start to finish, her singing ranging from girlish delicacy to a hard-edged stridence as the dictator's wife achieves her goals. Rarely has a film so successfully given a stage show such a new lease on life. --Piers Ford